Oil On Canvas, Real Flavor of Old Masters

All Pietro Antonio Rotari 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
69676  
A Girl in a Blue Dress, Pietro Antonio Rotari
 
 A Girl in a Blue Dress   oil on canvas painting by Pietro Rotari , El Paso Museum of Art
69731  
A Girl in a Red Dress, Pietro Antonio Rotari
 
 A Girl in a Red Dress   oil on canvas painting by Pietro Antonio Rotari, El Paso Museum of Art.
29343  
Countess A.M. Vorontsova, Pietro Antonio Rotari
 
 Countess A.M. Vorontsova   MK65 oIL ONCANVAS 19 1/2X18"
76783  
Maria Antonia of Bavaria, Pietro Antonio Rotari
 
 Maria Antonia of Bavaria   ca. 1755(1755) Oil on canvas 107 ?? 86 cm (42.1 ?? 33.9 in) cjr
80251  
Maria Antonia of Bavaria, Pietro Antonio Rotari
 
 Maria Antonia of Bavaria   1755(1755) Medium Oil on canvas Dimensions 107 x 86 cm (42.1 x 33.9 in) cyf
80864  
Portrait of a Young Girl, Pietro Antonio Rotari
 
 Portrait of a Young Girl   18th century Medium Oil on canvas Dimensions ? x cm cyf
77570  
Portrait of a Young Girl, La Penitente, Pietro Antonio Rotari
 
 Portrait of a Young Girl, La Penitente   18th century Oil on canvas cjr
84263  
Portrait of Archduke Ernest of Austria, Pietro Antonio Rotari
 
 Portrait of Archduke Ernest of Austria   1580 Medium Oil on canvas Dimensions 110.8 x 91.1 cm (43.6 x 35.9 in) cyf
83636  
Portrait of Francesco Bartolomeo Rastrelli, Pietro Antonio Rotari
 
 Portrait of Francesco Bartolomeo Rastrelli   Date 18th century Medium Oil cyf
75753  
Portrait of Grand Duchess Yekaterina Alexeyevna, Pietro Antonio Rotari
 
 Portrait of Grand Duchess Yekaterina Alexeyevna   1761 Oil on canvas 60 ?? 48 cm (23.6 ?? 18.9 in) cjr
77522  
Portrait of Grand Duchess Yekaterina Alexeyevna, Pietro Antonio Rotari
 
 Portrait of Grand Duchess Yekaterina Alexeyevna   Date 1761 (?) Medium Oil on canvas Dimensions 60 ?? 48 cm (23.6 ?? 18.9 in) cyf
78273  
Portrait of Grand Duchess Yekaterina Alexeyevna, Pietro Antonio Rotari
 
 Portrait of Grand Duchess Yekaterina Alexeyevna   1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf
77921  
Portrait of King Augustus III of Poland, Pietro Antonio Rotari
 
 Portrait of King Augustus III of Poland   1755(1755) Oil on canvas 108 ?? 86 cm (42.5 ?? 33.9 in) cjr
79040  
Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland, Pietro Antonio Rotari
 
 Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland   ca. 1755(1755) Oil on canvas cjr
77560  
Princess Elisabeth of Saxe, Pietro Antonio Rotari
 
 Princess Elisabeth of Saxe   ca. 1755(1755) Oil on canvas 107 ?? 86.5 cm (42.1 ?? 34.1 in) cjr
92761  
Queen Maria Josepha in Polish costume., Pietro Antonio Rotari
 
 Queen Maria Josepha in Polish costume.   1755(1755) Medium oil on canvas Dimensions 86 X 108 cm (33.9 X 42.5 in) cjr
83028  
Self portrait, Pietro Antonio Rotari
 
 Self portrait   1756 (?) Medium Oil cyf
29640  
Sleeping Girl, Pietro Antonio Rotari
 
 Sleeping Girl   Oil on canvas, 106 x 84 cm
70528  
Sleeping Girl, Pietro Antonio Rotari
 
 Sleeping Girl   Medium Oil on canvas Dimensions 106 x 84 cm

Pietro Antonio Rotari
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden



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